The Effect of Reverberation on Music Performance

Sato E, Kamekawa T, Marui A. The Effect of Reverberation on Music Performance. In: AES Convention 131. Audio Engineering Society; 2011. Paper 26. Available from: https://aes.org/publications/elibrary-page/?id=16582

@inproceedings{Sato2011_16582,
  author = {Sato, Elisa and Kamekawa, Toru and Marui, Atushi},
  title = {{The Effect of Reverberation on Music Performance}},
  booktitle = {AES Convention 131},
  note = {Paper 26},
  year = {2011},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=16582}
}

TY  - CPAPER
TI  - The Effect of Reverberation on Music Performance
AU  - Sato, Elisa
AU  - Kamekawa, Toru
AU  - Marui, Atushi
T2  - AES Convention 131
M1  - Paper 26
PY  - 2011
DA  - 2011/10/06
UR  - https://aes.org/publications/elibrary-page/?id=16582
PB  - Audio Engineering Society
LA  - en
AB  - The structure of playing musical instruments consists of 3 basic steps: performing on the instrument to make musical sounds, recognizing spatial information and music in the space through listening to the sounds themselves, and finally returning the information to the performance to adapt their musical experience and consciousness. These steps go on as a loop during the performance of musical instruments, and it is widely known that reverberation effects recognition of the space, i.e. the second step. Adjusting the whole acoustic environment inside the room with sampling reverberation should help musicians to play just as they want to. In this paper, the relation between multiple parameters of reverberation and the features of solo violin performance is investigated.
ER  -