Procedural Audio Modeling for Particle-Based Environmental Effects

Verron C, Drettakis G. Procedural Audio Modeling for Particle-Based Environmental Effects. In: AES Convention 133. Audio Engineering Society; 2012. Paper 8764. Available from: https://aes.org/publications/elibrary-page/?id=16506

@inproceedings{Verron2012_16506,
  author = {Verron, Charles and Drettakis, George},
  title = {{Procedural Audio Modeling for Particle-Based Environmental Effects}},
  booktitle = {AES Convention 133},
  note = {Paper 8764},
  year = {2012},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=16506}
}

TY  - CPAPER
TI  - Procedural Audio Modeling for Particle-Based Environmental Effects
AU  - Verron, Charles
AU  - Drettakis, George
T2  - AES Convention 133
M1  - Paper 8764
PY  - 2012
DA  - 2012/10/06
UR  - https://aes.org/publications/elibrary-page/?id=16506
PB  - Audio Engineering Society
LA  - en
AB  - We present a sound synthesizer dedicated to particle-based environmental effects, for use in interactive virtual environments. The synthesis engine is based on five physically-inspired basic elements (that we call sound atoms) that can be parameterized and stochastically distributed in time and space. Based on this set of atomic elements, models are presented for reproducing several environmental sound sources. Compared to pre-recorded sound samples, procedural synthesis provides extra flexibility to manipulate and control the sound source properties with physically-inspired parameters. In this paper the controls are used simultaneously to modify particle-based graphical models, resulting in synchronous audio/graphics environmental effects. The approach is illustrated with three models that are commonly used in video games: fire, wind, and rain. The physically-inspired controls simultaneously drive graphical parameters (e.g., distribution of particles, average particles velocity) and sound parameters (e.g., distribution of sound atoms, spectral modifications). The joint audio/graphics control results in a tightly-coupled interaction between the two modalities that enhances the naturalness of the scene.
ER  -