C. J. Keyes, “The Dynamic Redistribution of Spectral Energies for Upmixing and Re-Animation of Recorded Audio,” in Proc. AES Convention 133, Oct. 2012, pp. 8699:1-. [Online]. Available: https://aes.org/publications/elibrary-page/?id=16442
Keyes CJ. The Dynamic Redistribution of Spectral Energies for Upmixing and Re-Animation of Recorded Audio. In: AES Convention 133. Audio Engineering Society; 2012.pp. 8699:1-. Available from: https://aes.org/publications/elibrary-page/?id=16442
@inproceedings{Keyes2012_16442,
author = {Keyes, Christopher J.},
title = {{The Dynamic Redistribution of Spectral Energies for Upmixing and Re-Animation of Recorded Audio}},
booktitle = {AES Convention 133},
pages = {8699:1-},
year = {2012},
month = oct,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=16442}
}
TY - CPAPER
TI - The Dynamic Redistribution of Spectral Energies for Upmixing and Re-Animation of Recorded Audio
AU - Keyes, Christopher J.
T2 - AES Convention 133
SP - 1
M1 - Paper 8699
PY - 2012
DA - 2012/10/06
UR - https://aes.org/publications/elibrary-page/?id=16442
PB - Audio Engineering Society
LA - en
AB - This paper details a novel approach to upmixing any n channels of audio to any arbitrary n+ channels of audio using frequency-domain processing to dynamically redistribute spectral energies across however many channels of audio are available. Although primarily an upmixing technique, the process may also help the recorded audio regain the sense of “liveliness” that one encounters in concerts of acoustic music, partially mimicking the effects of sound spectra being redistributed throughout a hall due to the dynamically changing radiation patterns of the instruments and the movements of the instruments themselves, during performance and recording. Preliminary listening tests reveal listeners prefer this technique 3 to 1 over a more standard upmixing technique.
ER -