R. Gang, S. Shivaswamy, S. Roessner, A. Rao, D. Headlam, and M. F. Bocko, “Audio Latency Masking in Music Telepresence Using Artificial Reverberation,” in Proc. AES Convention 133, Oct. 2012, Paper 8688. [Online]. Available: https://aes.org/publications/elibrary-page/?id=16431
Gang R, Shivaswamy S, Roessner S, Rao A, Headlam D, Bocko MF. Audio Latency Masking in Music Telepresence Using Artificial Reverberation. In: AES Convention 133. Audio Engineering Society; 2012. Paper 8688. Available from: https://aes.org/publications/elibrary-page/?id=16431
@inproceedings{Gang2012_16431,
author = {Gang, Ren and Shivaswamy, Samarth and Roessner, Stephen and Rao, Akshay and Headlam, Dave and Bocko, Mark F.},
title = {{Audio Latency Masking in Music Telepresence Using Artificial Reverberation}},
booktitle = {AES Convention 133},
note = {Paper 8688},
year = {2012},
month = oct,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=16431}
}
TY - CPAPER
TI - Audio Latency Masking in Music Telepresence Using Artificial Reverberation
AU - Gang, Ren
AU - Shivaswamy, Samarth
AU - Roessner, Stephen
AU - Rao, Akshay
AU - Headlam, Dave
AU - Bocko, Mark F.
T2 - AES Convention 133
M1 - Paper 8688
PY - 2012
DA - 2012/10/06
UR - https://aes.org/publications/elibrary-page/?id=16431
PB - Audio Engineering Society
LA - en
AB - Network latency poses significant challenges in music telepresence systems designed to enable multiple musicians at different locations to perform together in real-time. Since each musician hears a delayed version of the performance from the other musicians it is difficult to maintain synchronization and there is a natural tendency for the musicians to slow their tempo while awaiting response from their fellow performers. We asked if the introduction of artificial reverberation can enable musicians to better tolerate latency by conducting experiments with performers where the degree of latency was controllable and for which artificial reverberation could be added or not. Both objective and subjective evaluation of ensemble performances were conducted to evaluate the perceptual responses at different experimental settings.
ER -