Amplitude Manipulation for Perceived Movement in Depth

Wilkie S, Stockman T, Reiss JD. Amplitude Manipulation for Perceived Movement in Depth. In: AES Convention 132. Audio Engineering Society; 2012. Paper 8655. Available from: https://aes.org/publications/elibrary-page/?id=16293

@inproceedings{Wilkie2012_16293,
  author = {Wilkie, Sonia and Stockman, Tony and Reiss, Joshua D.},
  title = {{Amplitude Manipulation for Perceived Movement in Depth}},
  booktitle = {AES Convention 132},
  note = {Paper 8655},
  year = {2012},
  month = apr,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=16293}
}

TY  - CPAPER
TI  - Amplitude Manipulation for Perceived Movement in Depth
AU  - Wilkie, Sonia
AU  - Stockman, Tony
AU  - Reiss, Joshua D.
T2  - AES Convention 132
M1  - Paper 8655
PY  - 2012
DA  - 2012/04/06
UR  - https://aes.org/publications/elibrary-page/?id=16293
PB  - Audio Engineering Society
LA  - en
AB  - The presentation of objects moving in depth towards the viewer (looming) is a technique used in film (particularly those in 3D) to assist in drawing the viewer into the created world. The sounds that accompany these looming objects can affect the extent to which a viewer can perceptually immerse within the multidimensional world and interact with moving objects. However the extent to which sound parameters should be manipulated remains unclear. For example, amplitude, spectral components, reverb and spatialisation can all be altered, but the degree of their alteration and the resulting perception generated, need greater investigation. This paper presents the results from an investigation into one of the sound parameters used as an audio cue in looming scenes by the film industry, namely amplitude, reporting the degree and slope of its manipulation.
ER  -