Symphony Orchestra Recording for Interactive Opera Performances

Hallberg L, Berg J. Symphony Orchestra Recording for Interactive Opera Performances. In: AES Conference: 43rd International Conference: Audio for Wirelessly Networked Personal Devices. Audio Engineering Society; 2011. Paper 1-2. Available from: https://aes.org/publications/elibrary-page/?id=16120

@inproceedings{Hallberg2011_16120,
  author = {Hallberg, Lars and Berg, Jan},
  title = {{Symphony Orchestra Recording for Interactive Opera Performances}},
  booktitle = {AES Conference: 43rd International Conference: Audio for Wirelessly Networked Personal Devices},
  note = {Paper 1-2},
  year = {2011},
  month = sep,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=16120}
}

TY  - CPAPER
TI  - Symphony Orchestra Recording for Interactive Opera Performances
AU  - Hallberg, Lars
AU  - Berg, Jan
T2  - AES Conference: 43rd International Conference: Audio for Wirelessly Networked Personal Devices
M1  - Paper 1-2
PY  - 2011
DA  - 2011/09/06
UR  - https://aes.org/publications/elibrary-page/?id=16120
PB  - Audio Engineering Society
LA  - en
AB  - Network technology and its applications open the possibilities for conventional art forms to find alternative ways of expressions leading to new user experiences. A significant feature is interactivity, which enables the user to become a co-creator of the experience. One of the more traditional art forms is the opera, which thus can be enhanced and developed. In order to provide content that allows for interaction, specific strategies and techniques have to be utilised from the start of the production. When user influence over a symphony orchestra sound is desired, the different parts of the orchestra have to be recorded separately. In this paper, considerations regarding the recording process involving a real full-scale symphony orchestra are reported. It is concluded that such a production requires either compromises in the recording process or new ways of doing the recordings in order to fully utilise the potential of interactivity
ER  -