A Comparison of Kanun Recording Techniques as They Relate to Turkish Makam Music Perception

Karadogan C. A Comparison of Kanun Recording Techniques as They Relate to Turkish Makam Music Perception. In: AES Convention 130. Audio Engineering Society; 2011.pp. 8393:1-. Available from: https://aes.org/publications/elibrary-page/?id=15860

@inproceedings{Karadogan2011_15860,
  author = {Karadogan, Can},
  title = {{A Comparison of Kanun Recording Techniques as They Relate to Turkish Makam Music Perception}},
  booktitle = {AES Convention 130},
  pages = {8393:1-},
  year = {2011},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=15860}
}

TY  - CPAPER
TI  - A Comparison of Kanun Recording Techniques as They Relate to Turkish Makam Music Perception
AU  - Karadogan, Can
T2  - AES Convention 130
SP  - 1
M1  - Paper 8393
PY  - 2011
DA  - 2011/05/06
UR  - https://aes.org/publications/elibrary-page/?id=15860
PB  - Audio Engineering Society
LA  - en
AB  - This paper presents a quality comparison of microphone techniques applied on the kanun, a prominent traditional instrument of Turkish Makam Music. Disregarding the effects of pre-amplifier color, A/D converter, compression, equalization, mixing and mastering, only the studio recording step of music production is taken into focus: Microphone techniques were applied with varying placements and microphone types, and doing so, original Turkish Makam music etudes were recorded. Using short excerpts of these etudes, a survey comparing microphone techniques and placements as well as microphone types was prepared. Subjects were chosen from kanun players, sound engineers and non-musicians who showed different perspectives, preferences and descriptions to the sound samples of various microphone techniques.
ER  -