Beyond Coding: Reproduction of Direct and Diffuse Sound in Multiple Environments

Fejzo Z, Hastings S, Johnston JD, Jot JM. Beyond Coding: Reproduction of Direct and Diffuse Sound in Multiple Environments. In: AES Convention 129. Audio Engineering Society; 2010. Paper 8314. Available from: https://aes.org/publications/elibrary-page/?id=15736

@inproceedings{Fejzo2010_15736,
  author = {Fejzo, Zoran and Hastings, Steve and Johnston, James D. and Jot, Jean-Marc},
  title = {{Beyond Coding: Reproduction of Direct and Diffuse Sound in Multiple Environments}},
  booktitle = {AES Convention 129},
  note = {Paper 8314},
  year = {2010},
  month = nov,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=15736}
}

TY  - CPAPER
TI  - Beyond Coding: Reproduction of Direct and Diffuse Sound in Multiple Environments
AU  - Fejzo, Zoran
AU  - Hastings, Steve
AU  - Johnston, James D.
AU  - Jot, Jean-Marc
T2  - AES Convention 129
M1  - Paper 8314
PY  - 2010
DA  - 2010/11/06
UR  - https://aes.org/publications/elibrary-page/?id=15736
PB  - Audio Engineering Society
LA  - en
AB  - For many years, the difference in perception between perceptually direct sounds (i.e., sounds with a specific direction) and perceptually diffuse sounds (i.e., sounds that ‘surround’ or ‘envelop’ the listener) have been recognized, leading to a variety of approaches for simulating or capturing these perceptual effects. Here, we discuss a system using separation of direct and diffuse signals, or for synthetic signals (e.g., those made by modern production methods) synthesis of the diffuse signal in one of several ways, in order to enable the reproduction system, after measuring the characteristics of the playback system, to provide the best possible sensation from that particular set of playback equipment.
ER  -