Separation of Music+Effects Sound Track from Several International Versions of the Same Movie

Liutkus A, Leveau P. Separation of Music+Effects Sound Track from Several International Versions of the Same Movie. In: AES Convention 128. Audio Engineering Society; 2010. Paper 8031. Available from: https://aes.org/publications/elibrary-page/?id=15328

@inproceedings{Liutkus2010_15328,
  author = {Liutkus, Antoine and Leveau, Pierre},
  title = {{Separation of Music+Effects Sound Track from Several International Versions of the Same Movie}},
  booktitle = {AES Convention 128},
  note = {Paper 8031},
  year = {2010},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=15328}
}

TY  - CPAPER
TI  - Separation of Music+Effects Sound Track from Several International Versions of the Same Movie
AU  - Liutkus, Antoine
AU  - Leveau, Pierre
T2  - AES Convention 128
M1  - Paper 8031
PY  - 2010
DA  - 2010/05/06
UR  - https://aes.org/publications/elibrary-page/?id=15328
PB  - Audio Engineering Society
LA  - en
AB  - This article concerns the separation of the music+effects (ME) track from a movie sountrack, given the observation of several international versions of the same movie. The approach chosen is strongly inspired from existing stereo audio source separation and especially from spatial filtering algorithms such as DUET that can extract a constant panned source from a mixture very efficiently. The problem is indeed similar for we aim here at separating the ME track, which is the common background of all international versions of the movie soundtrack. The algorithm has been adapted to a number of channels greater than 2. Preprocessing techniques have also been proposed to adapt the algorithm to realistic cases. The performances of the algorithm have been evaluated on realistic and synthetic cases.
ER  -