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A system for morphing the warmth of a sound independently from its other timbral attributes was coded, building on previous work morphing brightness only (1), and morphing brightness and softness (2). The new warmth-softness-brightness morpher was perceptually validated using a series of listening tests. A Multidimensional Scaling analysis of listener responses to paired-comparisons showed perceptually orthogonal movement in two dimensions within a warmth-morphed and everything-else-morphed stimulus set. A verbal elicitation experiment showed that listeners’ descriptive labeling of these dimensions was as intended. A further ‘quality control’ experiment provided evidence that no ‘hidden’ timbral attributes were altered in parallel with the intended ones. A complete timbre morpher can now be considered for further work, and evaluated using the tri-stage procedure documented here.
Author (s): Brookes, Tim;
Williams, Duncan;
Affiliation:
Institute of Sound Recording, University of Surrey, Guildford, Surrey, UK
(See document for exact affiliation information.)
AES Convention: 128
Paper Number:8019
Publication Date:
2010-05-06
Session subject:
Music Analysis and Processing
DOI:
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Brookes, Tim; Williams, Duncan; 2010; Perceptually-Motivated Audio Morphing: Warmth [PDF]; Institute of Sound Recording, University of Surrey, Guildford, Surrey, UK; Paper 8019; Available from: https://aes.org/publications/elibrary-page/?id=15316
Brookes, Tim; Williams, Duncan; Perceptually-Motivated Audio Morphing: Warmth [PDF]; Institute of Sound Recording, University of Surrey, Guildford, Surrey, UK; Paper 8019; 2010 Available: https://aes.org/publications/elibrary-page/?id=15316
@inproceedings{Brookes2010perceptually-motivated,
title={{Perceptually-Motivated Audio Morphing: Warmth}},
author={Brookes, Tim and Williams, Duncan},
year={2010},
month={may},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 8019; AES Convention 128; May 2010},
number={8019},
organization={AES},
}
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