Influence of Psychoacoustic Roughness on Musical Intonation Preference

Villegas J, Cohen M, Wilson I, Martens W. Influence of Psychoacoustic Roughness on Musical Intonation Preference. In: AES Convention 128. Audio Engineering Society; 2010. Paper 8017. Available from: https://aes.org/publications/elibrary-page/?id=15314

@inproceedings{Villegas2010_15314,
  author = {Villegas, Julián and Cohen, Michael and Wilson, Ian and Martens, William},
  title = {{Influence of Psychoacoustic Roughness on Musical Intonation Preference}},
  booktitle = {AES Convention 128},
  note = {Paper 8017},
  year = {2010},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=15314}
}

TY  - CPAPER
TI  - Influence of Psychoacoustic Roughness on Musical Intonation Preference
AU  - Villegas, Julián
AU  - Cohen, Michael
AU  - Wilson, Ian
AU  - Martens, William
T2  - AES Convention 128
M1  - Paper 8017
PY  - 2010
DA  - 2010/05/06
UR  - https://aes.org/publications/elibrary-page/?id=15314
PB  - Audio Engineering Society
LA  - en
AB  - An experiment to compare the acceptability of three different music fragments rendered with three different intonations is presented. These preference results were contrasted with those of isolated chords also rendered with the same three intonations. The least rough renditions were found to be those using Twelve-Tone Equal- Temperament (12-tet). Just Intonation (ji) renditions were the roughest. A negative correlation between preference and psychoacoustic roughness was also found.
ER  -