C. Kelly, M. Gainza, D. Dorran, and E. Coyle, “Structural Segmentation of Irish Traditional Music Using Chroma at Set Accented Tone Locations,” in Proc. AES Convention 127, Oct. 2009, Paper 7861. [Online]. Available: https://aes.org/publications/elibrary-page/?id=15056
Kelly C, Gainza M, Dorran D, Coyle E. Structural Segmentation of Irish Traditional Music Using Chroma at Set Accented Tone Locations. In: AES Convention 127. Audio Engineering Society; 2009. Paper 7861. Available from: https://aes.org/publications/elibrary-page/?id=15056
@inproceedings{Kelly2009_15056,
author = {Kelly, Cillian and Gainza, Mikel and Dorran, David and Coyle, Eugene},
title = {{Structural Segmentation of Irish Traditional Music Using Chroma at Set Accented Tone Locations}},
booktitle = {AES Convention 127},
note = {Paper 7861},
year = {2009},
month = oct,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=15056}
}
TY - CPAPER
TI - Structural Segmentation of Irish Traditional Music Using Chroma at Set Accented Tone Locations
AU - Kelly, Cillian
AU - Gainza, Mikel
AU - Dorran, David
AU - Coyle, Eugene
T2 - AES Convention 127
M1 - Paper 7861
PY - 2009
DA - 2009/10/06
UR - https://aes.org/publications/elibrary-page/?id=15056
PB - Audio Engineering Society
LA - en
AB - An approach is presented which provides a structural segmentation of Irish Traditional Music. Chroma information is extracted at certain locations within the music. The resulting chroma vectors are compared to determine similar structural segments. Chroma is only calculated at `set accented tone' locations within the music. `Set accented tones' are considered to be impervious to melodic variation and are entirely representative of an Irish Traditional tune. Results show that comparing `set accented tones' represented by chroma significantly increases the structural segmentation accuracy than when `set accented tones' are represented by pitch values.
ER -