Recording Multichannel Sound within Virtual Acoustics

Woszczyk W, Beghin T, de Francisco M, Ko D. Recording Multichannel Sound within Virtual Acoustics. In: AES Convention 127. Audio Engineering Society; 2009. Paper 7856. Available from: https://aes.org/publications/elibrary-page/?id=15051

@inproceedings{Woszczyk2009_15051,
  author = {Woszczyk, Wieslaw and Beghin, Tom and de Francisco, Martha and Ko, Doyuen},
  title = {{Recording Multichannel Sound within Virtual Acoustics}},
  booktitle = {AES Convention 127},
  note = {Paper 7856},
  year = {2009},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=15051}
}

TY  - CPAPER
TI  - Recording Multichannel Sound within Virtual Acoustics
AU  - Woszczyk, Wieslaw
AU  - Beghin, Tom
AU  - de Francisco, Martha
AU  - Ko, Doyuen
T2  - AES Convention 127
M1  - Paper 7856
PY  - 2009
DA  - 2009/10/06
UR  - https://aes.org/publications/elibrary-page/?id=15051
PB  - Audio Engineering Society
LA  - en
AB  - Virtual acoustic environments were implemented in a laboratory based on real-time convolution of multiple high-resolution impulse responses previously measured in real rooms. The quality of these environments has been tested during live music performance and recording in a highly demanding Virtual Haydn Project. The technological and conceptual novelty of this project is to allow one to separate the recording of the direct sound and of the ambient sound into two independent processes, each individually optimized and adjusted. The method offers recording and rehearsal rooms that are guaranteed to be quiet and free from traffic noise and other interference. At present, the technical complexity and system cost are still very high but we can expect that these will be reduced in time.
ER  -