Evaluating Ground Truth for ADRess as a Preprocess for Automatic Musical Instrument Identification

McKay J, Gainza M, Barry D. Evaluating Ground Truth for ADRess as a Preprocess for Automatic Musical Instrument Identification. In: AES Convention 126. Audio Engineering Society; 2009. Paper 7816. Available from: https://aes.org/publications/elibrary-page/?id=15012

@inproceedings{McKay2009_15012,
  author = {McKay, Joseph and Gainza, Mikel and Barry, Dan},
  title = {{Evaluating Ground Truth for ADRess as a Preprocess for Automatic Musical Instrument Identification}},
  booktitle = {AES Convention 126},
  note = {Paper 7816},
  year = {2009},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=15012}
}

TY  - CPAPER
TI  - Evaluating Ground Truth for ADRess as a Preprocess for Automatic Musical Instrument Identification
AU  - McKay, Joseph
AU  - Gainza, Mikel
AU  - Barry, Dan
T2  - AES Convention 126
M1  - Paper 7816
PY  - 2009
DA  - 2009/05/06
UR  - https://aes.org/publications/elibrary-page/?id=15012
PB  - Audio Engineering Society
LA  - en
AB  - Most research in musical instrument identification has focused on labeling isolated samples or solo phrases. A robust instrument identification system capable of dealing with polytimbral recordings of instruments remains a necessity in music information retrieval. Experiments are described which evaluate the ground truth of ADRess as a sound source separation technique used as a preprocess to automatic musical instrument identification. The ground truth experiments are based on a number of basic acoustic features, while using a Gaussian Mixture Model as the classification algorithm. Using all 44 acoustic feature dimensions, successful identification rates are achieved.
ER  -