S. Schneider, F. Raschke, G. Gatzsche, and D. Strohmeier, “Free Choice Profiling and Natural Grouping as Methods for the Assessment of Emotions in Musical Audio Signals,” in Proc. AES Convention 126, May 2009, Paper 7786. [Online]. Available: https://aes.org/publications/elibrary-page/?id=14982
Schneider S, Raschke F, Gatzsche G, Strohmeier D. Free Choice Profiling and Natural Grouping as Methods for the Assessment of Emotions in Musical Audio Signals. In: AES Convention 126. Audio Engineering Society; 2009. Paper 7786. Available from: https://aes.org/publications/elibrary-page/?id=14982
@inproceedings{Schneider2009_14982,
author = {Schneider, Sebastian and Raschke, Florian and Gatzsche, Gabriel and Strohmeier, Dominik},
title = {{Free Choice Profiling and Natural Grouping as Methods for the Assessment of Emotions in Musical Audio Signals}},
booktitle = {AES Convention 126},
note = {Paper 7786},
year = {2009},
month = may,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=14982}
}
TY - CPAPER
TI - Free Choice Profiling and Natural Grouping as Methods for the Assessment of Emotions in Musical Audio Signals
AU - Schneider, Sebastian
AU - Raschke, Florian
AU - Gatzsche, Gabriel
AU - Strohmeier, Dominik
T2 - AES Convention 126
M1 - Paper 7786
PY - 2009
DA - 2009/05/06
UR - https://aes.org/publications/elibrary-page/?id=14982
PB - Audio Engineering Society
LA - en
AB - To measure the perceived emotions caused by musical audio signals we propose to use “Free Choice Profiling” (FCP) combined with “Natural Grouping” (NG). FCP/NG – originally derived from food research and new to the research of music perception – allow participants to evaluate stimuli using own vocabulary. To evaluate the proposed methods, we conducted an experiment in which 16 participants had to assess major-major and minor-minor chord pairs. Unlike one could expect, allowing participants to express their perception freely does not lead to a degeneration of the quality of the data. Instead, clearly interpretable results consistent with music theory and emotional psychology were obtained. These results encourage further investigations, which could lead to a general method for assessing emotions in music.
ER -