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This paper provides an overview of a framework for generalized multichannel audio processing. In this Spatial Audio Scene Coding (SASC) framework, the central idea is to represent an input audio scene in a way that is independent of any assumed or intended reproduction format. This format-agnostic parameterization enables optimal reproduction over any given playback system as well as flexible scene modification. The signal analysis and synthesis tools needed for SASC are described, including a presentation of new approaches for multichannel primary-ambient decomposition. Applications of SASC to spatial audio coding, upmix, phase-amplitude matrix decoding, multichannel format conversion, and binaural reproduction are discussed.
Author (s): Goodwin, Michael;
Jot, Jean-Marc;
Affiliation:
Creative Advanced Technology Center
(See document for exact affiliation information.)
AES Convention: 125
Paper Number:7507
Publication Date:
2008-10-06
Session subject:
Audio Coding
DOI:
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Goodwin, Michael; Jot, Jean-Marc; 2008; Spatial Audio Scene Coding [PDF]; Creative Advanced Technology Center; Paper 7507; Available from: https://aes.org/publications/elibrary-page/?id=14659
Goodwin, Michael; Jot, Jean-Marc; Spatial Audio Scene Coding [PDF]; Creative Advanced Technology Center; Paper 7507; 2008 Available: https://aes.org/publications/elibrary-page/?id=14659
@inproceedings{Goodwin2008spatial,
title={{Spatial Audio Scene Coding}},
author={Goodwin, Michael and Jot, Jean-Marc},
year={2008},
month={oct},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 7507; AES Convention 125; October 2008},
number={7507},
organization={AES},
}
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