F. Rumsey, “Concert Hall Acoustics,” J. Audio Eng. Soc., vol. 56, no. 11, pp. 1001–1004, Nov. 2008.
Rumsey F. Concert Hall Acoustics. J Audio Eng Soc. 2008;56(11):1001-1004. Available from: https://aes.org/publications/elibrary-page/?id=14646
@article{Rumsey2008_14646,
author = {Rumsey, Francis},
title = {{Concert Hall Acoustics}},
journal = {Journal of the Audio Engineering Society},
volume = {56},
number = {11},
pages = {1001--1004},
year = {2008},
month = nov,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=14646}
}
TY - JOUR
TI - Concert Hall Acoustics
AU - Rumsey, Francis
T2 - Journal of the Audio Engineering Society
J2 - J. Audio Eng. Soc.
VL - 56
IS - 11
SP - 1001
EP - 1004
PY - 2008
DA - 2008/11/06
UR - https://aes.org/publications/elibrary-page/?id=14646
PB - Audio Engineering Society
LA - en
AB - [Feature] In this month’s back-of-the-book feature article our staff writer, Francis Rumsey, reports on some of the views expressed in a recent AES workshop concerned with concert hall acoustics. This is a topic that nearly always gives rise to passionate opinions, but as Barry Blesser points out, our preference for certain hall acoustics is strongly determined by cultural and learned biases. We also learn about the acoustical characteristics of halls that are considered good for pop music performance.
ER -