M. Casdorff, C. Kuhn-Rahloff, R. Moser, M. Rosenthal, and M. Casdorff, “A Case Study on Sound Reproduction and Acoustic Enhancement in Concert Halls Using Wave Field Synthesis,” in Proc. AES Convention 124, May 2008, Paper 7466. [Online]. Available: https://aes.org/publications/elibrary-page/?id=14596
Casdorff M, Kuhn-Rahloff C, Moser R, Rosenthal M, Casdorff M. A Case Study on Sound Reproduction and Acoustic Enhancement in Concert Halls Using Wave Field Synthesis. In: AES Convention 124. Audio Engineering Society; 2008. Paper 7466. Available from: https://aes.org/publications/elibrary-page/?id=14596
@inproceedings{Casdorff2008_14596,
author = {Casdorff, Max and Kuhn-Rahloff, Clemens and Moser, Roger and Rosenthal, Matthias and Casdorff, Max},
title = {{A Case Study on Sound Reproduction and Acoustic Enhancement in Concert Halls Using Wave Field Synthesis}},
booktitle = {AES Convention 124},
note = {Paper 7466},
year = {2008},
month = may,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=14596}
}
TY - CPAPER
TI - A Case Study on Sound Reproduction and Acoustic Enhancement in Concert Halls Using Wave Field Synthesis
AU - Casdorff, Max
AU - Kuhn-Rahloff, Clemens
AU - Moser, Roger
AU - Rosenthal, Matthias
AU - Casdorff, Max
T2 - AES Convention 124
M1 - Paper 7466
PY - 2008
DA - 2008/05/06
UR - https://aes.org/publications/elibrary-page/?id=14596
PB - Audio Engineering Society
LA - en
AB - This paper presents the wave fields synthesis system under construction at the National Conservatory of Music Detmold (Germany). The system is dedicated to sound reproduction for artistic purposes at the Tonmeister department (Erich Thienhaus Institute) and to an enhancement of room acoustics. The system comprises 346 independent loudspeaker channels, including a horizontal loudspeaker array all around the auditory (500 seats) and ceiling loudspeakers. Since the hall is used for a broad repertoire comprising of chamber music, romantic orchestra instrumentations, organ concerts, contemporary music, etc., the hall will be equipped with a variable room acoustic system. The paper presents perceptual aspects of system design, concerning the direct sound and diffuse field as well as practical implementations for WFS rendering.
ER -