Beyond Splicing: Technical Ear Training Methods Derived from Digital Audio Editing Techniques

Corey J. Beyond Splicing: Technical Ear Training Methods Derived from Digital Audio Editing Techniques. In: AES Convention 123. Audio Engineering Society; 2007. Paper 7212. Available from: https://aes.org/publications/elibrary-page/?id=14270

@inproceedings{Corey2007_14270,
  author = {Corey, Jason},
  title = {{Beyond Splicing: Technical Ear Training Methods Derived from Digital Audio Editing Techniques}},
  booktitle = {AES Convention 123},
  note = {Paper 7212},
  year = {2007},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=14270}
}

TY  - CPAPER
TI  - Beyond Splicing: Technical Ear Training Methods Derived from Digital Audio Editing Techniques
AU  - Corey, Jason
T2  - AES Convention 123
M1  - Paper 7212
PY  - 2007
DA  - 2007/10/06
UR  - https://aes.org/publications/elibrary-page/?id=14270
PB  - Audio Engineering Society
LA  - en
AB  - The process of digital audio editing, especially with classical or acoustic music using a source-destination method, offers an excellent opportunity for ear training. Music editing involves making transparent connections or splices between takes of a piece of music, and often requires specifying precise edit locations by ear. The paper outlines how aspects of digital editing can be used systematically as an ear training method, even out of the context of an editing session. It describes a software tool based on audio editing techniques to create an effective ear training method offering benefits that transfer beyond audio editing.
ER  -