50 Years of Sound Control Room Design

Voetmann J. 50 Years of Sound Control Room Design. In: AES Convention 122. Audio Engineering Society; 2007. Paper 7140. Available from: https://aes.org/publications/elibrary-page/?id=14125

@inproceedings{Voetmann2007_14125,
  author = {Voetmann, Jan},
  title = {{50 Years of Sound Control Room Design}},
  booktitle = {AES Convention 122},
  note = {Paper 7140},
  year = {2007},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=14125}
}

TY  - CPAPER
TI  - 50 Years of Sound Control Room Design
AU  - Voetmann, Jan
T2  - AES Convention 122
M1  - Paper 7140
PY  - 2007
DA  - 2007/05/06
UR  - https://aes.org/publications/elibrary-page/?id=14125
PB  - Audio Engineering Society
LA  - en
AB  - Sound control room design is an interesting corner of small room acoustics and represents most of the problems found here: Frequency balanced reverberation time, proper distribution of room modes, low frequency reproduction, sound source and receiver positioning, etc. The function of the control room is twofold, which is often overlooked: On one hand the control room together with the monitor loudspeakers should reproduce as faithful as possible the efforts of the sound engineer and the producer in creating a new recording. On the other hand the control room should mimic the perceived acoustics of an average living room when checking the final result of the recording. Simply because most musical productions are aimed at the listening environment of a living room.
ER  -