T. Ifukube, T. Miura, and T. Muraoka, “Ambience Sound Recording Utilizing Dual MS(Mid-Side) Microphone Systems Based Upon Frequency Dependent Spatial Cross Correlation (FSCC),” in Proc. AES Convention 122, May 2007, Paper 6997. [Online]. Available: https://aes.org/publications/elibrary-page/?id=13982
Ifukube T, Miura T, Muraoka T. Ambience Sound Recording Utilizing Dual MS(Mid-Side) Microphone Systems Based Upon Frequency Dependent Spatial Cross Correlation (FSCC). In: AES Convention 122. Audio Engineering Society; 2007. Paper 6997. Available from: https://aes.org/publications/elibrary-page/?id=13982
@inproceedings{Ifukube2007_13982,
author = {Ifukube, Tohru and Miura, Takahiro and Muraoka, Teruo},
title = {{Ambience Sound Recording Utilizing Dual MS(Mid-Side) Microphone Systems Based Upon Frequency Dependent Spatial Cross Correlation (FSCC)}},
booktitle = {AES Convention 122},
note = {Paper 6997},
year = {2007},
month = may,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=13982}
}
TY - CPAPER
TI - Ambience Sound Recording Utilizing Dual MS(Mid-Side) Microphone Systems Based Upon Frequency Dependent Spatial Cross Correlation (FSCC)
AU - Ifukube, Tohru
AU - Miura, Takahiro
AU - Muraoka, Teruo
T2 - AES Convention 122
M1 - Paper 6997
PY - 2007
DA - 2007/05/06
UR - https://aes.org/publications/elibrary-page/?id=13982
PB - Audio Engineering Society
LA - en
AB - In musical sound recording for CD production or broadcasting, a forest of microphones is commonly observed. They are for good sound localization and favorable ambience, however it is desirable to make the forest sparse for less laborious setting up and mixing. Previously, we examined ambience representation of stereophonic microphone arrangements utilizing Frequency Dependent Spatial Cross Correlation (FSCC). FSCC is defined as a cross correlation of outputs by two microphones that of MS microphone system is most favorable. Based upon the result, we devised combination of two MS microphone systems, one is for acquisition of stage sounds and the other is for ambience representation. In addition to minor stage microphones we achieved satisfactory musical recording.
ER -