T. Caulkins, E. Corteel, K. V. NGuyen, R. Pellegrini, and O. Warusfel, “Objective and Subjective Comparison of Electrodynamic and MAP Loudspeakers for Wave Field Synthesis,” in Proc. AES Conference: 30th International Conference: Intelligent Audio Environments, Mar. 2007, Paper 15. [Online]. Available: https://aes.org/publications/elibrary-page/?id=13913
Caulkins T, Corteel E, NGuyen KV, Pellegrini R, Warusfel O. Objective and Subjective Comparison of Electrodynamic and MAP Loudspeakers for Wave Field Synthesis. In: AES Conference: 30th International Conference: Intelligent Audio Environments. Audio Engineering Society; 2007. Paper 15. Available from: https://aes.org/publications/elibrary-page/?id=13913
@inproceedings{Caulkins2007_13913,
author = {Caulkins, Terence and Corteel, Etienne and NGuyen, Khoa Van and Pellegrini, Renato and Warusfel, Olivier},
title = {{Objective and Subjective Comparison of Electrodynamic and MAP Loudspeakers for Wave Field Synthesis}},
booktitle = {AES Conference: 30th International Conference: Intelligent Audio Environments},
note = {Paper 15},
year = {2007},
month = mar,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=13913}
}
TY - CPAPER
TI - Objective and Subjective Comparison of Electrodynamic and MAP Loudspeakers for Wave Field Synthesis
AU - Caulkins, Terence
AU - Corteel, Etienne
AU - NGuyen, Khoa Van
AU - Pellegrini, Renato
AU - Warusfel, Olivier
T2 - AES Conference: 30th International Conference: Intelligent Audio Environments
M1 - Paper 15
PY - 2007
DA - 2007/03/06
UR - https://aes.org/publications/elibrary-page/?id=13913
PB - Audio Engineering Society
LA - en
AB - This article deals with the direct comparison of WFS rendering using either MAP or electrodynamic loudspeakers on an objective and a subjective level. Objective criteria are used to evaluate coloration and localisation cues that are perceived in an extended listening area. It is shown in a first listening test that the reduced spatial coherence of MAP loudspeakers partly explains the perceived differences between the two loudspeaker technologies. This "diffuse" behavior can be artificially produced on electrodynamic loudspeakers using a diffuse filtering. The proposed diffuse filtering may also limit rendering artifacts above the spatial aliasing frequency. Finally, it is shown in a second listening experiment that MAP loudspeakers favor distance perception compared to electrodynamic loudspeakers.
ER -