Difference between Musicians and Sound Engineers in Estimation of Egocentric Source Distance in a Concert Hall Stereophonic Recording

Ekman H, Berg J. Difference between Musicians and Sound Engineers in Estimation of Egocentric Source Distance in a Concert Hall Stereophonic Recording. In: AES Conference: 28th International Conference: The Future of Audio Technology--Surround and Beyond. Audio Engineering Society; 2006. Paper 8-2. Available from: https://aes.org/publications/elibrary-page/?id=13850

@inproceedings{Ekman2006_13850,
  author = {Ekman, Håkan and Berg, Jan},
  title = {{Difference between Musicians and Sound Engineers in Estimation of Egocentric Source Distance in a Concert Hall Stereophonic Recording}},
  booktitle = {AES Conference: 28th International Conference: The Future of Audio Technology--Surround and Beyond},
  note = {Paper 8-2},
  year = {2006},
  month = jun,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=13850}
}

TY  - CPAPER
TI  - Difference between Musicians and Sound Engineers in Estimation of Egocentric Source Distance in a Concert Hall Stereophonic Recording
AU  - Ekman, Håkan
AU  - Berg, Jan
T2  - AES Conference: 28th International Conference: The Future of Audio Technology--Surround and Beyond
M1  - Paper 8-2
PY  - 2006
DA  - 2006/06/06
UR  - https://aes.org/publications/elibrary-page/?id=13850
PB  - Audio Engineering Society
LA  - en
AB  - In sound recording, an important dimension is the perceived distance to the sound sources. This study investigates if there is a difference between sound engineers and musicians when they consider the perceived distance to sound sources recorded in a concert hall and reproduced by means of a two-channel stereo system. Also which distance is preferred is investigated for different instruments. The result shows that sound engineers perceive a greater distance to sources and that they prefer more close microphone distance than musicians.
ER  -