Natural Reproduction of Symphony Orchestra Music by an Advanced Multichannel Live Sound System

Hamasaki K, Iwaki M, Nakayama Y, Nishiguchi T, Okubo H, Okumura R. Natural Reproduction of Symphony Orchestra Music by an Advanced Multichannel Live Sound System. In: AES Convention 121. Audio Engineering Society; 2006. Paper 6966. Available from: https://aes.org/publications/elibrary-page/?id=13800

@inproceedings{Hamasaki2006_13800,
  author = {Hamasaki, Kimio and Iwaki, Masakazu and Nakayama, Yasushige and Nishiguchi, Toshiyuki and Okubo, Hiroyuki and Okumura, Reiko},
  title = {{Natural Reproduction of Symphony Orchestra Music by an Advanced Multichannel Live Sound System}},
  booktitle = {AES Convention 121},
  note = {Paper 6966},
  year = {2006},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=13800}
}

TY  - CPAPER
TI  - Natural Reproduction of Symphony Orchestra Music by an Advanced Multichannel Live Sound System
AU  - Hamasaki, Kimio
AU  - Iwaki, Masakazu
AU  - Nakayama, Yasushige
AU  - Nishiguchi, Toshiyuki
AU  - Okubo, Hiroyuki
AU  - Okumura, Reiko
T2  - AES Convention 121
M1  - Paper 6966
PY  - 2006
DA  - 2006/10/06
UR  - https://aes.org/publications/elibrary-page/?id=13800
PB  - Audio Engineering Society
LA  - en
AB  - An advanced multichannel audio system for reproducing a live sound field with an ultimate sensation of presence and reality was set up and studied. The goal of this system is to provide listeners with a natural reproduction of orchestral music, as if they were hearing it in an actual sound field such as that in a concert hall. Subjective evaluations of hearing impression on orchestral sound were carried out to determine which attributes of a front sound stage were necessary for the natural reproduction of an orchestra. The results of the evaluations showed that perceptions of width, depth and localization of the orchestral sound influence the impressions of presence and reality.
ER  -