Analysis and Synthesis for Universal Spatial Audio Coding

Goodwin MM, Jot JM. Analysis and Synthesis for Universal Spatial Audio Coding. In: AES Convention 121. Audio Engineering Society; 2006. Paper 6874. Available from: https://aes.org/publications/elibrary-page/?id=13708

@inproceedings{Goodwin2006_13708,
  author = {Goodwin, Michael M. and Jot, Jean-Marc},
  title = {{Analysis and Synthesis for Universal Spatial Audio Coding}},
  booktitle = {AES Convention 121},
  note = {Paper 6874},
  year = {2006},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=13708}
}

TY  - CPAPER
TI  - Analysis and Synthesis for Universal Spatial Audio Coding
AU  - Goodwin, Michael M.
AU  - Jot, Jean-Marc
T2  - AES Convention 121
M1  - Paper 6874
PY  - 2006
DA  - 2006/10/06
UR  - https://aes.org/publications/elibrary-page/?id=13708
PB  - Audio Engineering Society
LA  - en
AB  - Spatial audio coding (SAC) addresses the need for e cient representation of multichannel audio content. SAC methods are typically based on analyzing inter-channel relationships in the input audio and resynthesizing those same relationships between the output channels. Recently, a method was proposed and demonstrated based on analyzing the input audio scene and describing it without reference to the channel con guration, thereby enabling exible, accurate rendering on arbitrary output systems. In this paper, we provide further mathematical treatment of this universal spatial audio coding system; we develop an analysis-synthesis method based on a linear algebraic model, present an e cient approach for adapting the synthesis to arbitrary speaker con gurations, and describe a straightforward scheme for scalable reduction of the spatial cue data.
ER  -