Perception of Simultaneity and Detection of Asynchrony between Audio and Structural Vibration in Multimodal Music Reproduction

Kim S, Martens WL, Walker K. Perception of Simultaneity and Detection of Asynchrony between Audio and Structural Vibration in Multimodal Music Reproduction. In: AES Convention 120. Audio Engineering Society; 2006. Paper 6825. Available from: https://aes.org/publications/elibrary-page/?id=13629

@inproceedings{Kim2006_13629,
  author = {Kim, Sungyoung and Martens, William L. and Walker, Kent},
  title = {{Perception of Simultaneity and Detection of Asynchrony between Audio and Structural Vibration in Multimodal Music Reproduction}},
  booktitle = {AES Convention 120},
  note = {Paper 6825},
  year = {2006},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=13629}
}

TY  - CPAPER
TI  - Perception of Simultaneity and Detection of Asynchrony between Audio and Structural Vibration in Multimodal Music Reproduction
AU  - Kim, Sungyoung
AU  - Martens, William L.
AU  - Walker, Kent
T2  - AES Convention 120
M1  - Paper 6825
PY  - 2006
DA  - 2006/05/06
UR  - https://aes.org/publications/elibrary-page/?id=13629
PB  - Audio Engineering Society
LA  - en
AB  - In music reproduction incorporating haptic display there is a need to know the human observer’s tolerance for asynchrony between presentations of audio (airborne vibration) and haptic content (in this case whole-body vibration). Two methods for measuring the human tolerance for such audio-haptic asynchrony were employed in experiments using recorded musical instrument sound as stimuli: judgments of the time-order of arrival of airborne versus structure-borne vibration, and judgments of subjective simultaneity that required no report of which component arrived first. Optimal intermodal delay values derived from the time-order judgments were related to the direct judgments of simultaneity for the same set of stimuli.
ER  -