Simple Modeling of Soundboard Effect for Piano Transcription

Beracoechea JA, Casajús-Quirós FJ, Ortiz-Berenguer L, Perez-Aranda J, Torres-Guijarro S. Simple Modeling of Soundboard Effect for Piano Transcription. In: AES Convention 120. Audio Engineering Society; 2006. Paper 6647. Available from: https://aes.org/publications/elibrary-page/?id=13451

@inproceedings{Beracoechea2006_13451,
  author = {Beracoechea, Jon Ander and Casajús-Quirós, Francisco Javier and Ortiz-Berenguer, Luis and Perez-Aranda, J. and Torres-Guijarro, Soledad},
  title = {{Simple Modeling of Soundboard Effect for Piano Transcription}},
  booktitle = {AES Convention 120},
  note = {Paper 6647},
  year = {2006},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=13451}
}

TY  - CPAPER
TI  - Simple Modeling of Soundboard Effect for Piano Transcription
AU  - Beracoechea, Jon Ander
AU  - Casajús-Quirós, Francisco Javier
AU  - Ortiz-Berenguer, Luis
AU  - Perez-Aranda, J.
AU  - Torres-Guijarro, Soledad
T2  - AES Convention 120
M1  - Paper 6647
PY  - 2006
DA  - 2006/05/06
UR  - https://aes.org/publications/elibrary-page/?id=13451
PB  - Audio Engineering Society
LA  - en
AB  - Partials of piano sounds are inharmonic. This inharmonicity is due either to string stiffness and to soundboard impedance. The last has not been widely documented. Two problems arise: to know the value of the impedance and to evaluate the frequency deviation the partial suffers. In this work, that deviation has been calculated either by using Morse’s equations and by using author’s proposed method. To validate results, deviations for some piano notes have been measured. Besides, the soundboard impedance has also been measured to verify relationship between deviation and impedance. Moreover, a method to evaluate impedance using measured deviations is also proposed. This last method can be useful during training stages in transcription systems and for parameter extraction schemes.
ER  -