Advanced Multichannel Audio System for Reproducing a Live Sound Field with Ultimate Sensation of Presence

Hamasaki K, Iwaki M, Nakayama Y, Nishiguchi T, Okubo H, Okumura R. Advanced Multichannel Audio System for Reproducing a Live Sound Field with Ultimate Sensation of Presence. In: AES Convention 119. Audio Engineering Society; 2005. Paper 6559. Available from: https://aes.org/publications/elibrary-page/?id=13315

@inproceedings{Hamasaki2005_13315,
  author = {Hamasaki, Kimio and Iwaki, Masakazu and Nakayama, Yasushige and Nishiguchi, Toshiyuki and Okubo, Hiroyuki and Okumura, Reiko},
  title = {{Advanced Multichannel Audio System for Reproducing a Live Sound Field with Ultimate Sensation of Presence}},
  booktitle = {AES Convention 119},
  note = {Paper 6559},
  year = {2005},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=13315}
}

TY  - CPAPER
TI  - Advanced Multichannel Audio System for Reproducing a Live Sound Field with Ultimate Sensation of Presence
AU  - Hamasaki, Kimio
AU  - Iwaki, Masakazu
AU  - Nakayama, Yasushige
AU  - Nishiguchi, Toshiyuki
AU  - Okubo, Hiroyuki
AU  - Okumura, Reiko
T2  - AES Convention 119
M1  - Paper 6559
PY  - 2005
DA  - 2005/10/06
UR  - https://aes.org/publications/elibrary-page/?id=13315
PB  - Audio Engineering Society
LA  - en
AB  - An advanced multichannel audio system for reproducing a live sound field with ultimate sensation of presence has been studied for reproducing the sound field without any restrictions on the listening points. This system also aims to give audiences the optimum natural impression of presence and reality according to their listening point, and to be applicable to live transmission and broadcasting. This paper introduces the experimental sound system and describes in detail the recording techniques and latest subjective evaluation experiments to evaluate the appropriateness of necessary conditions of the new sound system. This paper also discusses the advantages of the new sound system regarding the impression of presence and interactivity compared with conventional multichannel audio systems.
ER  -