J. L. Molero Milán, “Requirements to Acoustically Prepare a Recording Studio,” in Proc. AES Convention 118, May 2005, Paper 6502. [Online]. Available: https://aes.org/publications/elibrary-page/?id=13218
Molero Milán JL. Requirements to Acoustically Prepare a Recording Studio. In: AES Convention 118. Audio Engineering Society; 2005. Paper 6502. Available from: https://aes.org/publications/elibrary-page/?id=13218
@inproceedings{MoleroMilan2005_13218,
author = {Molero Milán, Jose Luis},
title = {{Requirements to Acoustically Prepare a Recording Studio}},
booktitle = {AES Convention 118},
note = {Paper 6502},
year = {2005},
month = may,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=13218}
}
TY - CPAPER
TI - Requirements to Acoustically Prepare a Recording Studio
AU - Molero Milán, Jose Luis
T2 - AES Convention 118
M1 - Paper 6502
PY - 2005
DA - 2005/05/06
UR - https://aes.org/publications/elibrary-page/?id=13218
PB - Audio Engineering Society
LA - en
AB - Sound recording and listening rely mainly in the acoustic characteristics of the environment. Places specifically build for a specific application (music recording, conferences or concert rooms) must have the right acoustic quality. In this way, listening an acoustic signal in a room, generally is affected for different elements, inherent to the room, like reverberation, echoes and resonance or the lack of them, the sources sound coverage, etc. All these elements go with the main signal and affect stereophony and intelligibility.
ER -