Differences of Hearing Impressions Among Several High Sampling Digital Recording Formats

Hamasaki K, Nishiguchi T. Differences of Hearing Impressions Among Several High Sampling Digital Recording Formats. In: AES Convention 118. Audio Engineering Society; 2005. Paper 6469. Available from: https://aes.org/publications/elibrary-page/?id=13185

@inproceedings{Hamasaki2005_13185,
  author = {Hamasaki, Kimio and Nishiguchi, Toshiyuki},
  title = {{Differences of Hearing Impressions Among Several High Sampling Digital Recording Formats}},
  booktitle = {AES Convention 118},
  note = {Paper 6469},
  year = {2005},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=13185}
}

TY  - CPAPER
TI  - Differences of Hearing Impressions Among Several High Sampling Digital Recording Formats
AU  - Hamasaki, Kimio
AU  - Nishiguchi, Toshiyuki
T2  - AES Convention 118
M1  - Paper 6469
PY  - 2005
DA  - 2005/05/06
UR  - https://aes.org/publications/elibrary-page/?id=13185
PB  - Audio Engineering Society
LA  - en
AB  - To study the difference of hearing impression among several high sampling digital recording formats, we conducted subjective evaluation tests of perceptual discrimination among following digital recording formats: 48kHz 24bit PCM, 192kHz 24bit PCM and DSD. Sound stimuli for the evaluation were originally recorded to maintain the exact same quality of analog input feeds to the three A/D conversion systems. The sound reproduction system for the subjective evaluation tests was also carefully designed to reproduce the original quality of each digital recording format. Listening panels were selected from students and faculty stuffs of university of music, recording engineers, and musicians. A pair test method was applied to the subjective evaluation. Through the several evaluation tests, no significant difference was observed.
ER  -