Impression Differences by Placement of Front and Rear Microphones for Multi-channel Stereophonic Recording

Kamekawa T. Impression Differences by Placement of Front and Rear Microphones for Multi-channel Stereophonic Recording. In: AES Convention 118. Audio Engineering Society; 2005. Paper 6426. Available from: https://aes.org/publications/elibrary-page/?id=13142

@inproceedings{Kamekawa2005_13142,
  author = {Kamekawa, Toru},
  title = {{Impression Differences by Placement of Front and Rear Microphones for Multi-channel Stereophonic Recording}},
  booktitle = {AES Convention 118},
  note = {Paper 6426},
  year = {2005},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=13142}
}

TY  - CPAPER
TI  - Impression Differences by Placement of Front and Rear Microphones for Multi-channel Stereophonic Recording
AU  - Kamekawa, Toru
T2  - AES Convention 118
M1  - Paper 6426
PY  - 2005
DA  - 2005/05/06
UR  - https://aes.org/publications/elibrary-page/?id=13142
PB  - Audio Engineering Society
LA  - en
AB  - Optimum microphone array for multi-channel stereophonic recording was presented by comparing impression differences. From the experiments the array using omni-directional microphones for left and right channels and a bi-directional microphone for center channel was evaluated better localization and spaciousness than the array using uni-directional microphones for left, right and center channels specially at off center position. And optimum position for surround microphones is drawn by calculation from room size considering the time difference between direct sound of front channel and early reflections of surround channel.
ER  -