5.1 and 22.2 Multichannel Sound Productions Using an Integrated Surround Sound Panning System

Hamasaki K, Hatano W, Hiyama K, Komiyama S, Okubo H. 5.1 and 22.2 Multichannel Sound Productions Using an Integrated Surround Sound Panning System. In: AES Convention 117. Audio Engineering Society; 2004. Paper 6226. Available from: https://aes.org/publications/elibrary-page/?id=12883

@inproceedings{Hamasaki2004_12883,
  author = {Hamasaki, Kimio and Hatano, Wataru and Hiyama, Koichiro and Komiyama, Setsu and Okubo, Hiroyuki},
  title = {{5.1 and 22.2 Multichannel Sound Productions Using an Integrated Surround Sound Panning System}},
  booktitle = {AES Convention 117},
  note = {Paper 6226},
  year = {2004},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=12883}
}

TY  - CPAPER
TI  - 5.1 and 22.2 Multichannel Sound Productions Using an Integrated Surround Sound Panning System
AU  - Hamasaki, Kimio
AU  - Hatano, Wataru
AU  - Hiyama, Koichiro
AU  - Komiyama, Setsu
AU  - Okubo, Hiroyuki
T2  - AES Convention 117
M1  - Paper 6226
PY  - 2004
DA  - 2004/10/06
UR  - https://aes.org/publications/elibrary-page/?id=12883
PB  - Audio Engineering Society
LA  - en
AB  - 5.1 surround sound productions and broadcasts have become popular in Japan, and NHK has developed a 22.2 multichannel sound system for ultra-high definition video. While two-dimensional or three-dimensional sound reproduction is possible with these multichannel sound systems, the production of contents is more complicated and time-consuming than in two channel stereo production. In productions using a conventional surround sound mixing tool, in particular, much time is needed for creating two-dimensional sound effects. Therefore, an integrated surround panning system was developed to enable various surround sound effects to be created easily. This paper introduces the newly developed integrated surround sound panning system, which has innovative functions such as a distance control and an integrated sound source movement control, and discusses various issues concerning multichannel sound production.
ER  -