High Spatial Resolution Multichannel Recording

Montoya S, Bruno R, Laborie A. High Spatial Resolution Multichannel Recording. In: AES Convention 116. Audio Engineering Society; 2004. Paper 6116. Available from: https://aes.org/publications/elibrary-page/?id=12761

@inproceedings{Montoya2004_12761,
  author = {Montoya, Sebastien and Bruno, Remy and Laborie, Arnaud},
  title = {{High Spatial Resolution Multichannel Recording}},
  booktitle = {AES Convention 116},
  note = {Paper 6116},
  year = {2004},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=12761}
}

TY  - CPAPER
TI  - High Spatial Resolution Multichannel Recording
AU  - Montoya, Sebastien
AU  - Bruno, Remy
AU  - Laborie, Arnaud
T2  - AES Convention 116
M1  - Paper 6116
PY  - 2004
DA  - 2004/05/06
UR  - https://aes.org/publications/elibrary-page/?id=12761
PB  - Audio Engineering Society
LA  - en
AB  - Multichannel recording is certainly one of the most important remaining issues concerning today's sound techniques. A good surround recording is extremely difficult to obtain as it must fulfill a number of conditions including envelopment feeling, accurate localisation and a large sweet spot without compromising the timbres. Advanced signal processing allows to obtain directivities designed from panning laws, which have been designed to optimally drive any multichannel layout. This paper presents the underlying concept of High Spatial Resolution, the spatial equivalent for High Fidelity, and points out why this is a key point to achieve high spatial quality. Actual performances of such a High Spatial Resolution 5.0 microphone featuring a small array of 8 omnidirectional capsules are fully simulated and measured.
ER  -