Some Clues to Build a Sound Analysis Relevant to Hearing

Millot L. Some Clues to Build a Sound Analysis Relevant to Hearing. In: AES Convention 116. Audio Engineering Society; 2004. Paper 6041. Available from: https://aes.org/publications/elibrary-page/?id=12721

@inproceedings{Millot2004_12721,
  author = {Millot, Laurent},
  title = {{Some Clues to Build a Sound Analysis Relevant to Hearing}},
  booktitle = {AES Convention 116},
  note = {Paper 6041},
  year = {2004},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=12721}
}

TY  - CPAPER
TI  - Some Clues to Build a Sound Analysis Relevant to Hearing
AU  - Millot, Laurent
T2  - AES Convention 116
M1  - Paper 6041
PY  - 2004
DA  - 2004/05/06
UR  - https://aes.org/publications/elibrary-page/?id=12721
PB  - Audio Engineering Society
LA  - en
AB  - Analysis tools used in research laboratories, for sound synthesis, by musicians or sound engineers can be rather different. Discussion of the assumptions and of the limitations of these tools permits to propose a first tool as relevant and versatile as possible for all the sound actors with a major aim: one must be able to listen to each element of the analysis because hearing is the final reference tool. This tool should also be used, in the future, to reinvestigate the definition of sound (or Acoustics) on the basis of some recent works on musical instrument modelling, speech production and loudspeakers design. Audio illustrations will be given.
ER  -