The History of the Tonmeister Recording Technique in Russia

Ignatov PV. The History of the Tonmeister Recording Technique in Russia. In: AES Convention 116. Audio Engineering Society; 2004. Paper 6133. Available from: https://aes.org/publications/elibrary-page/?id=12664

@inproceedings{Ignatov2004_12664,
  author = {Ignatov, Pavel V.},
  title = {{The History of the Tonmeister Recording Technique in Russia}},
  booktitle = {AES Convention 116},
  note = {Paper 6133},
  year = {2004},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=12664}
}

TY  - CPAPER
TI  - The History of the Tonmeister Recording Technique in Russia
AU  - Ignatov, Pavel V.
T2  - AES Convention 116
M1  - Paper 6133
PY  - 2004
DA  - 2004/05/06
UR  - https://aes.org/publications/elibrary-page/?id=12664
PB  - Audio Engineering Society
LA  - en
AB  - The history of the sound recording in Russia dates back to the end of the XIX-th century. The creation of first sound recording studios began in the 20-30?s. Although the technical facilities, which were used then seemed to be quite primitive, the work of such outstanding tonmeisters as Khustov M.G., Grossman A.B., Gakhlin D.G. made outstanding recording of classical music and live concerts. The main feature of the second period (1950-1980?s) is the fast development of the TV, RB and recording studios (292 large television centers and radiostudios had been built by the 1980?s). Today new digital technologies and surround sound systems are used in tonmeister practice. Such masters as Shugal S.G., Vinogradov V.V., Khondrashin P.K., Dinov V.G. and many are creating new methods of digital sound recording. The main periods of the development of tonmeisters technology in Russia are investigated in this paper.
ER  -