Multichannel Recording Techniques for Reproducing Adequate Spatial Impression

Hamasaki K. Multichannel Recording Techniques for Reproducing Adequate Spatial Impression. In: AES Conference: 24th International Conference: Multichannel Audio, The New Reality. Audio Engineering Society; 2003. Paper 27. Available from: https://aes.org/publications/elibrary-page/?id=12288

@inproceedings{Hamasaki2003_12288,
  author = {Hamasaki, Kimio},
  title = {{Multichannel Recording Techniques for Reproducing Adequate Spatial Impression}},
  booktitle = {AES Conference: 24th International Conference: Multichannel Audio, The New Reality},
  note = {Paper 27},
  year = {2003},
  month = jun,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=12288}
}

TY  - CPAPER
TI  - Multichannel Recording Techniques for Reproducing Adequate Spatial Impression
AU  - Hamasaki, Kimio
T2  - AES Conference: 24th International Conference: Multichannel Audio, The New Reality
M1  - Paper 27
PY  - 2003
DA  - 2003/06/06
UR  - https://aes.org/publications/elibrary-page/?id=12288
PB  - Audio Engineering Society
LA  - en
AB  - One of the principal aims for multichannel sound recoding is reproducing the spatial impression of reverberant sound filed such as a concert hall. In this presentation, some practical issues to improve the spatial impression on 5.1 surround sound recording will be discussed. And microphone & mixing techniques including Hamasaki-Square for natural surround sound recording in a concert hall are introduced.
ER  -