Recording Concert Hall Acoustics for Posterity

Farina A, Ayalon R. Recording Concert Hall Acoustics for Posterity. In: AES Conference: 24th International Conference: Multichannel Audio, The New Reality. Audio Engineering Society; 2003. Paper 38. Available from: https://aes.org/publications/elibrary-page/?id=12277

@inproceedings{Farina2003_12277,
  author = {Farina, Angelo and Ayalon, Regev},
  title = {{Recording Concert Hall Acoustics for Posterity}},
  booktitle = {AES Conference: 24th International Conference: Multichannel Audio, The New Reality},
  note = {Paper 38},
  year = {2003},
  month = jun,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=12277}
}

TY  - CPAPER
TI  - Recording Concert Hall Acoustics for Posterity
AU  - Farina, Angelo
AU  - Ayalon, Regev
T2  - AES Conference: 24th International Conference: Multichannel Audio, The New Reality
M1  - Paper 38
PY  - 2003
DA  - 2003/06/06
UR  - https://aes.org/publications/elibrary-page/?id=12277
PB  - Audio Engineering Society
LA  - en
AB  - The title of this paper is the same as a famous contribution given by Michael Gerzon on the JAES Vol. 23, Number 7 pp. 569 (1975) [1]. After more than 25 years the problem is still open, particularly about the optimal technique for capturing the "spatial" characteristics of the sound inside an existing theatre. A novel technique is presented here, which is compatible with all the known surround formats.
ER  -