New Media for Music: An Adaptive Response to Technology

Davis MF. New Media for Music: An Adaptive Response to Technology. J Audio Eng Soc. 2003;51(6):575-577. Available from: https://aes.org/publications/elibrary-page/?id=12216

@article{Davis2003_12216,
  author = {Davis, Mark F.},
  title = {{New Media for Music: An Adaptive Response to Technology}},
  journal = {Journal of the Audio Engineering Society},
  volume = {51},
  number = {6},
  pages = {575--577},
  year = {2003},
  month = jun,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=12216}
}

TY  - JOUR
TI  - New Media for Music: An Adaptive Response to Technology
AU  - Davis, Mark F.
T2  - Journal of the Audio Engineering Society
J2  - J. Audio Eng. Soc.
VL  - 51
IS  - 6
SP  - 575
EP  - 577
PY  - 2003
DA  - 2003/06/06
UR  - https://aes.org/publications/elibrary-page/?id=12216
PB  - Audio Engineering Society
LA  - en
AB  - [feature article] “Audio engineers, don’t live in the past. Take advantage of the demand for content stimulated by new media!” This was the message of a fascinating workshop at the AES 113th Convention, held last October in Los Angeles. This panel of experts was chaired by Dave Davis of QCA Mastering; Davis is also a lecturer at the University of Cincinnati. The panel provided evidence of their own experience in trying to make money out of professional audio in the face of changing markets: Bob Ludwig, of Gateway Mastering and DVD, has undertaken pioneering work in mastering for DVD, SACD, and advanced media; Bill McQuay has been associated for many years with Radio Expeditions, a collaboration between National Public Radio and the National Geographic Society; Bobby Owsinski of Surround Associates has worked on numerous surround productions for DVD; and Mike Sokol, JMS Productions & Fits and Starts Productions, has a diversified business including surround sound effects for radio drama and surround sound for Power- Point presentations.
ER  -