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The most striking characteristic of digital audio, and possibly the most controversial, is its intrinsically high sonic quality. However, this may not be the most significant benefit in terms of commercial applications. Characteristics such as archivability, flexible processing techniques, time base independence and rapid accessibility offer efficient and powerful capabilities. This paper discusses the implementation of one unique feature: random access editing. Through the use of large capacity rotating magnetic media and a smoothing buffer, it is possible to create and/or modify splices rapidly, audition them, then play the various cuts in one continuous stream. Such a system also enables various forms of processing (including such standard functions as fading, mixing and equalization) to be imposed on the signal, as well as enabling different forms of interaction including display of audio waveforms.
Author (s): Ingebretsen, Robert B.;
Stockham, Jr., Thomas G.;
Affiliation:
Soundstream, Inc., Salt Lake City, UT
(See document for exact affiliation information.)
AES Convention: 72
Paper Number:1925
Publication Date:
1982-10-06
Session subject:
Magnetic and Disk Media
DOI:
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Ingebretsen, Robert B.; Stockham, Jr., Thomas G.; 1982; Random Access Editing of Digital Audio [PDF]; Soundstream, Inc., Salt Lake City, UT; Paper 1925; Available from: https://aes.org/publications/elibrary-page/?id=11833
Ingebretsen, Robert B.; Stockham, Jr., Thomas G.; Random Access Editing of Digital Audio [PDF]; Soundstream, Inc., Salt Lake City, UT; Paper 1925; 1982 Available: https://aes.org/publications/elibrary-page/?id=11833
@inproceedings{Ingebretsen1982random,
title={{Random Access Editing of Digital Audio}},
author={Ingebretsen, Robert B. and Stockham, Jr., Thomas G.},
year={1982},
month={oct},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 1925; AES Convention 72; October 1982},
number={1925},
organization={AES},
}
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