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The spectrum of a symphonic band playing in a concert hall was measured in the audience seating area. It was also measured close to the band, in several locations typically used for recording. These measurements were repeated with an orchestra. In general, the spectrum measured close to the performers had more high-frequency energy than the spectrum measured in the audience area. This situation leads to over-bright recordings if flat-response microphones and loudspeakers are used. Suggestions are offered to remedy the problem.
Author (s): Bartlett, Bruce;
Affiliation:
Crown International, Elkhart, IN
(See document for exact affiliation information.)
AES Convention: 74
Paper Number:1994
Publication Date:
1983-10-06
Session subject:
Studio Design
DOI:
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Bartlett, Bruce; 1983; Tonal Effects of Classical Music Microphone Placement [PDF]; Crown International, Elkhart, IN; Paper 1994; Available from: https://aes.org/publications/elibrary-page/?id=11768
Bartlett, Bruce; Tonal Effects of Classical Music Microphone Placement [PDF]; Crown International, Elkhart, IN; Paper 1994; 1983 Available: https://aes.org/publications/elibrary-page/?id=11768
@inproceedings{Bartlett1983tonal,
title={{Tonal Effects of Classical Music Microphone Placement}},
author={Bartlett, Bruce},
year={1983},
month={oct},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 1994; AES Convention 74; October 1983},
number={1994},
organization={AES},
}
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