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The "split-track" recording technique employs any recorder with two audio tracks, using two (separated) microphones, to gather synchronized sound from two independent sources simultaneously. The two tracks are mixed to mono during postproduction. Applications include two-lavalier-mic interviews, simultaneous foreign language interpretation, podium and audience miking, recording two simultaneous events, and dual-perspective sound effects or ambience recording. Results are improved since little or no on-location mixing is required during the original recording.
Author (s): Pizzi, Skip;
Affiliation:
National Public Radio, Washington, DC
(See document for exact affiliation information.)
AES Convention: 74
Paper Number:2016
Publication Date:
1983-10-06
Session subject:
Studio Design
DOI:
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Pizzi, Skip; 1983; A 'Split-Track' Recording Technique for Improved Eng Audio [PDF]; National Public Radio, Washington, DC; Paper 2016; Available from: https://aes.org/publications/elibrary-page/?id=11746
Pizzi, Skip; A 'Split-Track' Recording Technique for Improved Eng Audio [PDF]; National Public Radio, Washington, DC; Paper 2016; 1983 Available: https://aes.org/publications/elibrary-page/?id=11746
@inproceedings{Pizzi1983a,
title={{A 'Split-Track' Recording Technique for Improved Eng Audio}},
author={Pizzi, Skip},
year={1983},
month={oct},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 2016; AES Convention 74; October 1983},
number={2016},
organization={AES},
}
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