A 'Split-Track' Recording Technique for Improved Eng Audio

Pizzi S. A 'Split-Track' Recording Technique for Improved Eng Audio. In: AES Convention 74. Audio Engineering Society; 1983. Paper 2016. Available from: https://aes.org/publications/elibrary-page/?id=11746

@inproceedings{Pizzi1983_11746,
  author = {Pizzi, Skip},
  title = {{A 'Split-Track' Recording Technique for Improved Eng Audio}},
  booktitle = {AES Convention 74},
  note = {Paper 2016},
  year = {1983},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=11746}
}

TY  - CPAPER
TI  - A 'Split-Track' Recording Technique for Improved Eng Audio
AU  - Pizzi, Skip
T2  - AES Convention 74
M1  - Paper 2016
PY  - 1983
DA  - 1983/10/06
UR  - https://aes.org/publications/elibrary-page/?id=11746
PB  - Audio Engineering Society
LA  - en
AB  - The "split-track" recording technique employs any recorder with two audio tracks, using two (separated) microphones, to gather synchronized sound from two independent sources simultaneously. The two tracks are mixed to mono during postproduction. Applications include two-lavalier-mic interviews, simultaneous foreign language interpretation, podium and audience miking, recording two simultaneous events, and dual-perspective sound effects or ambience recording. Results are improved since little or no on-location mixing is required during the original recording.
ER  -