Some Psychoacoustic Considerations for Recording, Stage and Broadcasting

Sippl F. Some Psychoacoustic Considerations for Recording, Stage and Broadcasting. In: AES Convention 1r. Audio Engineering Society; 1984.pp. 2101:1-17. Available from: https://aes.org/publications/elibrary-page/?id=11653

@inproceedings{Sippl1984_11653,
  author = {Sippl, Fritz},
  title = {{Some Psychoacoustic Considerations for Recording, Stage and Broadcasting}},
  booktitle = {AES Convention 1r},
  pages = {2101:1-17},
  url = {https://aes.org/publications/elibrary-page/?id=11653},
  year = {1984},
  month = aug,
  publisher = {Audio Engineering Society}
}

TY  - CPAPER
TI  - Some Psychoacoustic Considerations for Recording, Stage and Broadcasting
AU  - Sippl, Fritz
T2  - AES Convention 1r
SP  - 1
EP  - 17
M1  - Paper 2101
PY  - 1984
DA  - 1984/08/06
UR  - https://aes.org/publications/elibrary-page/?id=11653
PB  - Audio Engineering Society
LA  - en
AB  - After the basic technical problems of audio have been resolved, the new aim was High Fidelity: dynamic, distortion-free, flat. Since lifelike reproduction at home proved difficult to obtain, sometimes even undesirable, audio is now used to create a specific atmosphere in the listener, by unflattening, distorting, and psychoacoustically processing the sound. Recently it has been found that binaural and other techniques can turn the listener from an outside observer of, into an apparent participant in the acoustic event.
ER  -