C. Avendano and J.-M. Jot, “Frequency Domain Techniques for Stereo to Multichannel Upmix,” in Proc. AES Conference: 22nd International Conference: Virtual, Synthetic, and Entertainment Audio, Jun. 2002, Paper 000251. [Online]. Available: https://aes.org/publications/elibrary-page/?id=11131
Avendano C, Jot JM. Frequency Domain Techniques for Stereo to Multichannel Upmix. In: AES Conference: 22nd International Conference: Virtual, Synthetic, and Entertainment Audio. Audio Engineering Society; 2002. Paper 000251. Available from: https://aes.org/publications/elibrary-page/?id=11131
@inproceedings{Avendano2002_11131,
author = {Avendano, Carlos and Jot, Jean-Marc},
title = {{Frequency Domain Techniques for Stereo to Multichannel Upmix}},
booktitle = {AES Conference: 22nd International Conference: Virtual, Synthetic, and Entertainment Audio},
note = {Paper 000251},
year = {2002},
month = jun,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=11131}
}
TY - CPAPER
TI - Frequency Domain Techniques for Stereo to Multichannel Upmix
AU - Avendano, Carlos
AU - Jot, Jean-Marc
T2 - AES Conference: 22nd International Conference: Virtual, Synthetic, and Entertainment Audio
M1 - Paper 000251
PY - 2002
DA - 2002/06/06
UR - https://aes.org/publications/elibrary-page/?id=11131
PB - Audio Engineering Society
LA - en
AB - In this paper we propose a series of upmixing techniques for generating multichannel audio from stereo recordings. The techniques use a common analysis framework based on the comparison between the Short-Time Fourier Transforms of the left and right stereo signals. An inter-channel coherence measure is used to identify time-frequency regions consisting mostly of ambience components, which can then be weighed via a non-linear mapping function, and extracted to synthesize ambience signals. A similarity measure is used to identify the panning coefficients of the various sources in the mix in the time-frequency plane, and different mapping functions are applied to unmix (extract) one or more sources, and/or to re-pan the signals into an arbitrary number of channels. We illustrate the application of the various techniques in the design of a two-to-five channel upmix system.
ER -