R. Itoh, S. Takahashi, M. Nishimaki, and K. Hirano, “Characteristics of the Sansui QS Vario-Matrix based on a Psychoacoustic Study of the Localization of Sound Sources in Four-Channel Stereo (Parts I and II),” in Proc. AES Convention 43, Sep. 1972, Paper 904. [Online]. Available: https://aes.org/publications/elibrary-page/?id=10260
Itoh R, Takahashi S, Nishimaki M, Hirano K. Characteristics of the Sansui QS Vario-Matrix based on a Psychoacoustic Study of the Localization of Sound Sources in Four-Channel Stereo (Parts I and II). In: AES Convention 43. Audio Engineering Society; 1972. Paper 904. Available from: https://aes.org/publications/elibrary-page/?id=10260
@inproceedings{Itoh1972_10260,
author = {Itoh, Ryousuke and Takahashi, Susumu and Nishimaki, Masao and Hirano, Kouichi},
title = {{Characteristics of the Sansui QS Vario-Matrix based on a Psychoacoustic Study of the Localization of Sound Sources in Four-Channel Stereo (Parts I and II)}},
booktitle = {AES Convention 43},
note = {Paper 904},
year = {1972},
month = sep,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=10260}
}
TY - CPAPER
TI - Characteristics of the Sansui QS Vario-Matrix based on a Psychoacoustic Study of the Localization of Sound Sources in Four-Channel Stereo (Parts I and II)
AU - Itoh, Ryousuke
AU - Takahashi, Susumu
AU - Nishimaki, Masao
AU - Hirano, Kouichi
T2 - AES Convention 43
M1 - Paper 904
PY - 1972
DA - 1972/09/06
UR - https://aes.org/publications/elibrary-page/?id=10260
PB - Audio Engineering Society
LA - en
AB - Part I: The dynamic distribution of spearation by the Vario-Matrix decoding technique is described with particular reference to the occurrence of simultaneous and closely succeeding sounds from different directions. This operation is related to the perception of directionality, including directional masking effects with respect to time difference, amplitude difference and even frequency difference. Part II: The mechanism by which sound directionality is recognized by the human ear is investigated, particularly with respect to reproduction in a basic, four-channel sound field. The roles of such factors as phase, amplitude and frequency are studied, and an attempt is made to establish a theoretical basis for the mechanism of perception.
ER -