Multichannel Sound Recording of Music: Practical and Technical Aspects

Hamasaki K, Shinmura T, Akita S, Hiyama K. Multichannel Sound Recording of Music: Practical and Technical Aspects. In: AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception. Audio Engineering Society; 2001. Paper 1903. Available from: https://aes.org/publications/elibrary-page/?id=10086

@inproceedings{Hamasaki2001_10086,
  author = {Hamasaki, Kimio and Shinmura, Toru and Akita, Shoji and Hiyama, Koichiro},
  title = {{Multichannel Sound Recording of Music: Practical and Technical Aspects}},
  booktitle = {AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception},
  note = {Paper 1903},
  year = {2001},
  month = jun,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=10086}
}

TY  - CPAPER
TI  - Multichannel Sound Recording of Music: Practical and Technical Aspects
AU  - Hamasaki, Kimio
AU  - Shinmura, Toru
AU  - Akita, Shoji
AU  - Hiyama, Koichiro
T2  - AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception
M1  - Paper 1903
PY  - 2001
DA  - 2001/06/06
UR  - https://aes.org/publications/elibrary-page/?id=10086
PB  - Audio Engineering Society
LA  - en
AB  - This presentation introduces some actual multichannel sound music recordings that were made at NHK and discusses the advantages and difficulties of multichannel sound production. Natural sound recording in a concert hall, in particular, is discussed in detail, and a basic approach to multichannel sound recording, "The Layered Multichannel Sound Recording Array" is introduced with some audio demo examples.
ER  -