G. Theile, “Natural 5.1 Music Recording Based on Psychoacoustic Principals,” in Proc. AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception, Jun. 2001, pp. 1904:1-29. [Online]. Available: https://aes.org/publications/elibrary-page/?id=10085
Theile G. Natural 5.1 Music Recording Based on Psychoacoustic Principals. In: AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception. Audio Engineering Society; 2001.pp. 1904:1-29. Available from: https://aes.org/publications/elibrary-page/?id=10085
@inproceedings{Theile2001_10085,
author = {Theile, Günther},
title = {{Natural 5.1 Music Recording Based on Psychoacoustic Principals}},
booktitle = {AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception},
pages = {1904:1-29},
year = {2001},
month = jun,
publisher = {Audio Engineering Society},
url = {}
}
TY - CPAPER
TI - Natural 5.1 Music Recording Based on Psychoacoustic Principals
AU - Theile, Günther
T2 - AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception
SP - 1
EP - 29
M1 - Paper 1904
PY - 2001
DA - 2001/06/06
UR - https://aes.org/publications/elibrary-page/?id=10085
PB - Audio Engineering Society
LA - en
AB - Natural 5.1 recording of orchestra elements, soloists, room acoustics, audience requires adequate stereophonic representation of direct sound, early and late reflections, reverberation. Particular concepts are proposed to create directional clarity, spatial depth, spatial impression, envelopment, ambient atmosphere, as well as directional stability within the sweet area. Corresponding microphone configurations, mixing methods and signal processing tools are offering realization of a wide range of spatial sound design ideas.
ER -