Practical Surround-Sound-Production - Part 2: TV-Documentaries

Camerer F. Practical Surround-Sound-Production - Part 2: TV-Documentaries. In: AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception. Audio Engineering Society; 2001.pp. 1912:1-17. Available from: https://aes.org/publications/elibrary-page/?id=10077

@inproceedings{Camerer2001_10077,
  author = {Camerer, Florian},
  title = {{Practical Surround-Sound-Production - Part 2: TV-Documentaries}},
  booktitle = {AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception},
  pages = {1912:1-17},
  url = {https://aes.org/publications/elibrary-page/?id=10077},
  year = {2001},
  month = jun,
  publisher = {Audio Engineering Society}
}

TY  - CPAPER
TI  - Practical Surround-Sound-Production - Part 2: TV-Documentaries
AU  - Camerer, Florian
T2  - AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception
SP  - 1
EP  - 17
M1  - Paper 1912
PY  - 2001
DA  - 2001/06/06
UR  - https://aes.org/publications/elibrary-page/?id=10077
PB  - Audio Engineering Society
LA  - en
AB  - According to the experiences of the author, 3/2-Multichannel-audio has a huge potential for TV-documentaries. As these very often deal with visually and acousti-cally interesting places the extended possibilities to convey their acoustic "footprint" is of great value. A convincing representation of the soundfield on location (it may even be "realistic") being the obvious advantage, nevertheless Multichannel-audio enhan-ces also non-realistic teamwork with visual content. The second part of the joint workshop "Practical Surround-Sound-Production" will examine the various steps from recording on location until the final mixing stage.
ER  -