AES New York 2013
Recording & Production Track Events
AES has always been at the center of the audio recording community, bringing the top engineers together to share techniques and promote new ideas. From drum programming to mixing tricks to listening rooms. Come learn from the pros, and hear the latest advances.
This page is also available in calendar format.
Wednesday, October 16
Wednesday, October 16, 5:00 pm — 7:00 pm
Workshop Session W21 Lies, Damn Lies, and Audio Gear Specs
Thursday, October 17
Thursday, October 17, 9:00 am — 11:00 am
Live Sound Seminar Session LS1 AC Power and Grounding
Thursday, October 17, 9:00 am — 10:30 am
Tutorial Session T1 FXpertise: Compression
Thursday, October 17, 9:00 am — 11:00 am
Paper Session P1 Transducers—Part 1: Microphones
Thursday, October 17, 9:00 am — 12:00 pm
Paper Session P2 Signal Processing—Part 1
Thursday, October 17, 10:30 am — 12:00 pm
Workshop Session W2 FX Design Panel: Compression
Thursday, October 17, 11:00 am — 1:00 pm
Workshop Session W4 Microphone Specifications—Believe it or Not
Thursday, October 17, 2:15 pm — 3:45 pm
Broadcast and Streaming Media Session B3 Listener Fatigue and Retention
Thursday, October 17, 2:30 pm — 4:30 pm
Paper Session P4 Room Acoustics
Thursday, October 17, 2:30 pm — 5:00 pm
Paper Session P5 Signal Processing—Part 2
Thursday, October 17, 3:00 pm — 4:30 pm
Poster Session P6 Spatial Audio
Thursday, October 17, 4:30 pm — 7:00 pm
Paper Session P7 Spatial Audio—Part 1
Thursday, October 17, 4:30 pm — 7:00 pm
Workshop Session W8 Digital Room Correction—Does it Really Work?
Thursday, October 17, 5:00 pm — 7:00 pm
Special Event: Producing Across Generations: New Challenges, New Solutions—Making Records for Next to Nothing in the 21st Century
Friday, October 18
Friday, October 18, 9:00 am — 11:00 am
Game Audio Session G3 Scoring "Tomb Raider": The Music of the Game
Friday, October 18, 9:00 am — 12:00 pm
Paper Session P8 Recording and Production
Friday, October 18, 9:00 am — 11:30 am
Paper Session P9 Applications in Audio—Part I
Friday, October 18, 10:30 am — 12:00 pm
Workshop Session W12 FX Design Panel: Equalization
Friday, October 18, 11:00 am — 12:00 pm
Special Event: Friday Keynote: The Current and Future Direction of the Recording Process from an Artist, Engineer, and Producer’s Perspective
Friday, October 18, 12:00 pm — 1:00 pm
Workshop Session W13 Microphone and Recording Techniques for the Music Ensembles of the United States Military Academy
Friday, October 18, 12:45 pm — 2:15 pm
Special Event: From the Motor City to Broadway: Making "Motown The Musical" Cast Album
Friday, October 18, 1:15 pm — 2:15 pm
Special Event: Lunchtime Keynote: On the Transmigration of Souls
Friday, October 18, 2:00 pm — 2:30 pm
Paper Session P10 Amplifiers
Friday, October 18, 2:15 pm — 4:45 pm
Paper Session P11 Perception—Part 1
Friday, October 18, 3:00 pm — 4:30 pm
Poster Session P12 Signal Processing
Friday, October 18, 5:00 pm — 6:30 pm
Special Event: Inside Abbey Road 1967—Photos from the Sgt. Pepper Sessions
Friday, October 18, 5:00 pm — 6:30 pm
Historical: The Art of Recording the Big Band, Revisited
Saturday, October 19
Saturday, October 19, 9:00 am — 11:30 am
Paper Session P13 Applications in Audio—Part 2
Saturday, October 19, 10:30 am — 12:00 pm
Sound for Picture Session SP4 Music Production for Film (Sound for Pictures Master Class)
Saturday, October 19, 10:30 am — 12:00 pm
Workshop Session W16 FX Design Panel: Distortion
Saturday, October 19, 11:15 am — 12:45 pm
Tutorial Session T13 A Holistic Approach to Crossover Systems and Equalization for Loudspeakers (A Master Class Event)
Saturday, October 19, 11:30 am — 1:30 pm
Special Event: Platinum Producers
Saturday, October 19, 12:00 pm — 1:00 pm
Tutorial Session T14 Why Facilities Need Tech Managers & How to Be One!
Saturday, October 19, 12:15 pm — 1:15 pm
Historical: Restoring Peggy Lee’s Capitol Records Album “Jump for Joy”
Saturday, October 19, 1:30 pm — 3:00 pm
Broadcast and Streaming Media Session B11 Maintenance, Repair, and Troubleshooting
Saturday, October 19, 1:30 pm — 3:00 pm
Tutorial Session T15 The Art of Drum Programming
Saturday, October 19, 2:30 pm — 4:00 pm
Special Event: Grammy SoundTable: What Would Ramone Do?
Saturday, October 19, 2:30 pm — 6:00 pm
Paper Session P14 Transducers—Part 2: Headphones and Loudspeakers
Saturday, October 19, 3:00 pm — 4:30 pm
Poster Session P15 Applications in Audio—Part I
Saturday, October 19, 3:00 pm — 5:00 pm
Workshop Session W19 "Help! I Have a Tape Recorder!"—Restoration and Rebuilding Analog Tape Machines
Saturday, October 19, 4:30 pm — 6:00 pm
Special Event: Bruce Swedien: I Have No Secrets
Saturday, October 19, 5:00 pm — 7:00 pm
Historical: The 35mm Album Master Fad
Saturday, October 19, 5:00 pm — 7:00 pm
Workshop Session W22 Loudness Wars: Leave Those Peaks Alone
Sunday, October 20
Sunday, October 20, 9:00 am — 12:00 pm
Paper Session P16 Spatial Audio—Part 2
Sunday, October 20, 9:00 am — 10:30 am
Workshop Session W24 DSD vs. DXD: Extreme DSD and PCM Resolutions Compared
Sunday, October 20, 9:00 am — 10:30 am
Workshop Session W25 Audio @ The Near Speed of Light with Fiber Optics
Sunday, October 20, 10:30 am — 12:00 pm
Poster Session P17 Applications in Audio—Part 2
Sunday, October 20, 10:30 am — 12:00 pm
Workshop Session W26 FX Design Panel: Reverb
Sunday, October 20, 11:00 am — 1:00 pm
Special Event: The State of Mastering – 2013
Sunday, October 20, 11:00 am — 12:30 pm
Workshop Session W27 DSP Studio Monitoring
Sunday, October 20, 12:30 pm — 1:30 pm
Special Event: Lunchtime Keynote: Studio of the Future: 2020–2050
Sunday, October 20, 1:30 pm — 3:00 pm
Special Event: Era of the Engineer (Young Guru)
Sunday, October 20, 2:00 pm — 4:00 pm
Paper Session P18 Perception—Part 2
Sunday, October 20, 2:30 pm — 4:00 pm
Workshop Session W30 Mastering Our Future Music
Last Updated: 20140106
