Audio Engineering Society AES New York 2013

AES New York 2013
Recording & Production Track Events

AES has always been at the center of the audio recording community, bringing the top engineers together to share techniques and promote new ideas. From drum programming to mixing tricks to listening rooms. Come learn from the pros, and hear the latest advances.

This page is also available in calendar format.

Wednesday, October 16

Wednesday, October 16, 5:00 pm — 7:00 pm
Workshop Session W21   Lies, Damn Lies, and Audio Gear Specs

 

Thursday, October 17

Thursday, October 17, 9:00 am — 11:00 am
Live Sound Seminar Session LS1   AC Power and Grounding

Thursday, October 17, 9:00 am — 10:30 am
Tutorial Session T1   FXpertise: Compression

Thursday, October 17, 9:00 am — 11:00 am
Paper Session P1   Transducers—Part 1: Microphones

Thursday, October 17, 9:00 am — 12:00 pm
Paper Session P2   Signal Processing—Part 1

Thursday, October 17, 10:30 am — 12:00 pm
Workshop Session W2   FX Design Panel: Compression

Thursday, October 17, 11:00 am — 1:00 pm
Workshop Session W4   Microphone Specifications—Believe it or Not

Thursday, October 17, 2:15 pm — 3:45 pm
Broadcast and Streaming Media Session B3   Listener Fatigue and Retention

Thursday, October 17, 2:30 pm — 4:30 pm
Paper Session P4   Room Acoustics

Thursday, October 17, 2:30 pm — 5:00 pm
Paper Session P5   Signal Processing—Part 2

Thursday, October 17, 3:00 pm — 4:30 pm
Poster Session P6   Spatial Audio

Thursday, October 17, 4:30 pm — 7:00 pm
Paper Session P7   Spatial Audio—Part 1

Thursday, October 17, 4:30 pm — 7:00 pm
Workshop Session W8   Digital Room Correction—Does it Really Work?

Thursday, October 17, 5:00 pm — 7:00 pm
Special Event: Producing Across Generations: New Challenges, New Solutions—Making Records for Next to Nothing in the 21st Century

 

Friday, October 18

Friday, October 18, 9:00 am — 11:00 am
Game Audio Session G3   Scoring "Tomb Raider": The Music of the Game

Friday, October 18, 9:00 am — 12:00 pm
Paper Session P8   Recording and Production

Friday, October 18, 9:00 am — 11:30 am
Paper Session P9   Applications in Audio—Part I

Friday, October 18, 10:30 am — 12:00 pm
Workshop Session W12   FX Design Panel: Equalization

Friday, October 18, 11:00 am — 12:00 pm
Special Event: Friday Keynote: The Current and Future Direction of the Recording Process from an Artist, Engineer, and Producer’s Perspective

Friday, October 18, 12:00 pm — 1:00 pm
Workshop Session W13   Microphone and Recording Techniques for the Music Ensembles of the United States Military Academy

Friday, October 18, 12:45 pm — 2:15 pm
Special Event: From the Motor City to Broadway: Making "Motown The Musical" Cast Album

Friday, October 18, 1:15 pm — 2:15 pm
Special Event: Lunchtime Keynote: On the Transmigration of Souls

Friday, October 18, 2:00 pm — 2:30 pm
Paper Session P10   Amplifiers

Friday, October 18, 2:15 pm — 4:45 pm
Paper Session P11   Perception—Part 1

Friday, October 18, 3:00 pm — 4:30 pm
Poster Session P12   Signal Processing

Friday, October 18, 5:00 pm — 6:30 pm
Special Event: Inside Abbey Road 1967—Photos from the Sgt. Pepper Sessions

Friday, October 18, 5:00 pm — 6:30 pm
Historical: The Art of Recording the Big Band, Revisited

 

Saturday, October 19

Saturday, October 19, 9:00 am — 11:30 am
Paper Session P13   Applications in Audio—Part 2

Saturday, October 19, 10:30 am — 12:00 pm
Sound for Picture Session SP4   Music Production for Film (Sound for Pictures Master Class)

Saturday, October 19, 10:30 am — 12:00 pm
Workshop Session W16   FX Design Panel: Distortion

Saturday, October 19, 11:15 am — 12:45 pm
Tutorial Session T13   A Holistic Approach to Crossover Systems and Equalization for Loudspeakers (A Master Class Event)

Saturday, October 19, 11:30 am — 1:30 pm
Special Event: Platinum Producers

Saturday, October 19, 12:00 pm — 1:00 pm
Tutorial Session T14   Why Facilities Need Tech Managers & How to Be One!

Saturday, October 19, 12:15 pm — 1:15 pm
Historical: Restoring Peggy Lee’s Capitol Records Album “Jump for Joy”

Saturday, October 19, 1:30 pm — 3:00 pm
Broadcast and Streaming Media Session B11   Maintenance, Repair, and Troubleshooting

Saturday, October 19, 1:30 pm — 3:00 pm
Tutorial Session T15   The Art of Drum Programming

Saturday, October 19, 2:30 pm — 4:00 pm
Special Event: Grammy SoundTable: What Would Ramone Do?

Saturday, October 19, 2:30 pm — 6:00 pm
Paper Session P14   Transducers—Part 2: Headphones and Loudspeakers

Saturday, October 19, 3:00 pm — 4:30 pm
Poster Session P15   Applications in Audio—Part I

Saturday, October 19, 3:00 pm — 5:00 pm
Workshop Session W19   "Help! I Have a Tape Recorder!"—Restoration and Rebuilding Analog Tape Machines

Saturday, October 19, 4:30 pm — 6:00 pm
Special Event: Bruce Swedien: I Have No Secrets

Saturday, October 19, 5:00 pm — 7:00 pm
Historical: The 35mm Album Master Fad

Saturday, October 19, 5:00 pm — 7:00 pm
Workshop Session W22   Loudness Wars: Leave Those Peaks Alone

 

Sunday, October 20

Sunday, October 20, 9:00 am — 12:00 pm
Paper Session P16   Spatial Audio—Part 2

Sunday, October 20, 9:00 am — 10:30 am
Workshop Session W24   DSD vs. DXD: Extreme DSD and PCM Resolutions Compared

Sunday, October 20, 9:00 am — 10:30 am
Workshop Session W25   Audio @ The Near Speed of Light with Fiber Optics

Sunday, October 20, 10:30 am — 12:00 pm
Poster Session P17   Applications in Audio—Part 2

Sunday, October 20, 10:30 am — 12:00 pm
Workshop Session W26   FX Design Panel: Reverb

Sunday, October 20, 11:00 am — 1:00 pm
Special Event: The State of Mastering – 2013

Sunday, October 20, 11:00 am — 12:30 pm
Workshop Session W27   DSP Studio Monitoring

Sunday, October 20, 12:30 pm — 1:30 pm
Special Event: Lunchtime Keynote: Studio of the Future: 2020–2050

Sunday, October 20, 1:30 pm — 3:00 pm
Special Event: Era of the Engineer (Young Guru)

Sunday, October 20, 2:00 pm — 4:00 pm
Paper Session P18   Perception—Part 2

Sunday, October 20, 2:30 pm — 4:00 pm
Workshop Session W30   Mastering Our Future Music

 

Last Updated: 20140106


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AES - Audio Engineering Society