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Archives: Events

  • September 12, 2026
    USM’s recently completed Crewe Center for the Arts will be hosting AES Northern New England for a tour of the…
  • September 12, 2026
    MedRhythms combines sensors, software and music with advanced neuroscience to target neural circuitry for conditions including stroke, multiple sclerosis and…
  • September 12, 2026
    Join local luminaries Nicholas McGegan, Cantata Collective Orchestra and Chorus and San Francisco Girls Chorus in an immersive presentation of…
  • September 12, 2026
    The AES Sydney section, along with supporting partners Audeara, are holding a presentation on Hearing health and assistive hearing technologies.…
  • September 12, 2026
    Join a visit to the radio and tv studios at VRT (the Flemish public broadcaster) on October 13th from 2pm…
  • September 12, 2026
    Online 19:00 BST – UK LOCAL TIME (18:00 UTC) Event Duration: 1.5 hours Automatic music transcription, which converts an audio recording into a symbolic representation such as a score or MIDI, remains a hard problem for multi-instrument music, where overlapping harmonics and diverse timbres must be disentangled. Progress is held back by a data bottleneck: note-level annotation is expensive and requires expert musicians, leaving labelled datasets for transcription very scarce. This talk explores self-supervised learning (SSL) as a way to sidestep that bottleneck by learning musical representations from unlabelled audio. I will focus on a controlled comparison of two masked-modelling paradigms: reconstruction-based learning with a masked autoencoder (MAE), which reconstructs masked spectrogram regions, and predictive learning with a joint embedding predictive architecture (JEPA), which predicts masked regions directly in representation space. Using identical Transformer encoders, I will show that the two objectives are broadly comparable on transcription performance but offer complementary strengths depending on instrument and texture. Initialising JEPA from an MAE-pretrained encoder produces consistent further gains. I will also discuss what the learned latent spaces reveal about how each objective organises musical information, and why no single geometric metric reliably predicts downstream transcription performance.
  • September 12, 2026
    This is a one-day opportunity to visit some of the top audio facilities in the Oakland, Alameda & Berkeley area,…
  • September 12, 2026
    Event Description: Join us as we explore the state of the art in immersive sound technology with L-Acoustics L-ISA. In…
  • September 12, 2026
    Format: In-person Event Description: Experience a rare, personalized demonstration of Sony’s 360 Virtual Mixing Environment (360VME) in Meyer Sound’s Pearson…
  • September 12, 2026
    Format: In-person Event Description: A Sony 360 Reality Audio concert film screening of CIANI/ORKEST, the landmark live album pairing electronic…