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Alignment and Timeline Construction for Incomplete Analogue Audience Recordings of Historical Live Music Concerts
20644
Wilmering, Thomas; Thalmann, Florian; Sandler, Mark
Centre for Digital Music (C4DM), Queen Mary University of London, London, UK
October 2019
Convention Paper
Free to AES members & instutions and $33 to non-members
Grateful Live: Mixing Multiple Recordings of a Dead Performance into an Immersive Experience
18418
Wilmering, Thomas; Thalmann, Florian; Sandler, Mark B.
Queen Mary University of London, London, UK
September 2016
Convention Paper
Open Access (Free to all)
Bridging Fan Communities and Facilitating Access to Music Archives through Semantic Audio Applications
19335
Wilmering, Thomas; Thalmann, Florian; Fazekas, György; Sandler, Mark B.
Queen Mary University of London, London, UK; Centre for Digital Music (C4DM)
October 2017
Engineering Brief
Free to AES members & instutions and $33 to non-members
From Interactive to Adaptive Mood-Based Music Listening Experiences in Social or Personal Contexts
18376
Barthet, Mathieu; Fazekas, György; Allik, Alo; Thalmann, Florian; B.Sandler, Mark
Centre for Digital Music, School of Electronic Engineering and Computer Science, Queen Mary University of London, London, UK
September 2016
Journal Article
Open Access (Free to all)
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